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Veronica Mars fans, if you pray, pray hard. And if you don't, start, because the cult fave's long-rumored movie version is about to enter the anxiety-producing phase known as do-or-die-time.
"I'm preparing the pitch now -- literally now," Mars' main man, Rob Thomas, told me this morning. "I hope to go in and talk to [executive producer] Joel Silver and [Warner Bros.] in the next week or two to see if they're interested."
But first, Thomas has to iron out the endgame of the plot, which, as I first reported last fall, focuses on Veronica solving a crime in college rather than as an FBI agent. "I haven't figured it out yet," he says of the final act. "That's what I'm working on now. It's close. A few key details left to solve."
Thomas is quick to caution, however, that completing an outline and pitching the studio are just two steps of a much larger, more daunting process. "I have some fear that Veronica Mars fans believe that the chief hurdle in getting the movie made is my writing it," Thomas confesses. "Unfortunately, that's only one of several hurdles. I'm going to give it my best shot and let the chips fall where they may.
"It's entirely possible I won't have an answer at the end of the pitch," he continues. "They will want to consider [the pitch], look at some numbers -- whatever it is people on the business side do -- and then they'll give me some sort of response. Then, if they want to move forward, there's the deal-making that'll need to go on."
Surprisingly, one of the project's primary selling points won't be tagging along to the meeting. "Kristen [Bell] will not be joining me," he says. "I'm sure she has no desire to see how the sausage is made."
Veronica Mars fans, if you pray, pray hard. And if you don't, start, because the cult fave's long-rumored movie version is about to enter the anxiety-producing phase known as do-or-die-time.
"I'm preparing the pitch now -- literally now," Mars' main man, Rob Thomas, told me this morning. "I hope to go in and talk to [executive producer] Joel Silver and [Warner Bros.] in the next week or two to see if they're interested."
But first, Thomas has to iron out the endgame of the plot, which, as I first reported last fall, focuses on Veronica solving a crime in college rather than as an FBI agent. "I haven't figured it out yet," he says of the final act. "That's what I'm working on now. It's close. A few key details left to solve."
Thomas is quick to caution, however, that completing an outline and pitching the studio are just two steps of a much larger, more daunting process. "I have some fear that Veronica Mars fans believe that the chief hurdle in getting the movie made is my writing it," Thomas confesses. "Unfortunately, that's only one of several hurdles. I'm going to give it my best shot and let the chips fall where they may.
"It's entirely possible I won't have an answer at the end of the pitch," he continues. "They will want to consider [the pitch], look at some numbers -- whatever it is people on the business side do -- and then they'll give me some sort of response. Then, if they want to move forward, there's the deal-making that'll need to go on."
Surprisingly, one of the project's primary selling points won't be tagging along to the meeting. "Kristen [Bell] will not be joining me," he says. "I'm sure she has no desire to see how the sausage is made."